Images: top, Maurice Carlin “Screenscans; Havana; 14’30″”; bottom, Islington Mill.
Maurice Carlin的介绍在Institute for Provocation四月六号，周六 下午六点。
Maurice Carlin’s artist talk at Institute for Provocation at 6pm on Saturday April 6th, 2013.
家作坊开放研讨会 / Open Discussion at HomeShop
四月七号，周日 下午六点
Sunday, April 7 at 6pm
创建和运作一个独立艺术空间/共同体的挑战是什么？
那种结构能使得一个艺术空间独立于它的核心团队？换个角度来说，有没有条模糊的线使艺术实践和机构性组织隔开，适合于不同层次的批评能力建设是什么？
周日，挑衅研究所（Institute for Provocation）将与家作坊, 伊斯灵顿磨坊（Islington Mill）的Maurice Carlin以及其他的朋友们就独立艺术空间这一话题展开讨论。既然我们都代表着各种不同艺术空间和集体，我想以开放的方式分享我们的经验，邀请大家来一起自我反思将是一种合适的方式。
What are the challenges of establishing and running an independent art space/community? What possible structures can enable an independent art space to become independent of its core team? From another perspective, is there a line that separates, blurrily, an art practice from institutional organization, and what are the critical capacities proper to the different gradations?
On Sunday, Institute for Provocation will be joining HomeShop, Maurice Carlin from Islington Mill and others to launch a discussion around the topic of independent art spaces. Since we all represent various types of art spaces and communities, we thought it fit to share our experiences in a public format, inviting everyone in to join this moment of self-reflection.
Welcome! 欢迎！
时间 posted on: 3 April 2013 | 
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April 4th, 2013 - 11:31
So far, there have been some very interested responses! We’ll see you on Sunday. Below are some of the other questions we hope to consider:
我们已列出了诸如下列的一些问题：
你们的空间是在什么语境和实践下建立起来的？
你觉得那些人是“有发言权的”？
你所关心的地区分布是什么？
你们的活动开展有多长时间了？
空间存在以来有过那些变化？例如：搬迁，重组，易名等
你们的物理空间和你们的项目是否是分离的？
空间是一个机构吗？这样的名字是缘何而起的？
这个空间是一种艺术实践形式吗？有没有创办权问题？
你们空间的经济问题怎样解决？这与你所关心的核心活动有多大关系？
决定是怎样做出的？这对你们所做的事有怎样的影响？
你认为你们的运作模式可以作为典范吗？
What contexts or practices does your space arise from?
Who do you consider your “stakeholders”?
What is the distribution of locality/international among your concerns? How long have you been active? What have been some changes during the life of your space? e.g. moves, reorganizations, renamings?
Is there a separation between your physical space and your “project”? Is the space an institution? What necessitates or allows such a title? Is the space a form of artistic practice? Is authorship involved? How do you fund your space? How much does this enter into the activities that you consider your core concern? How are decisions made? How does this shape what takes place? Do you consider the way you run your space as a “model”?